Preservation Work at the PMMP!

Pictures by Patty

Several projects have been completed in the cemetery making things look fresh and new! Volunteers painstakingly put in many hours to care for and preserve parts of the cemetery. Grave Marker

Preservation had another successful year with the help of volunteers and our conservator, Joe Ferrannini of Grave Stone Matters. We completed 28 markers, including installing a new military marker.

These are just a few examples of the amazing work done at the PMMP!

Victorian Mourning Jewelry

 

Picture by Val

Victorian mourning jewelry is a poignant and intricate expression of grief prevalent during the 19th century. Crafted with exquisite detail, these pieces served as both sentimental keepsakes and mementos of the deceased. They often featured materials like jet, onyx, and gutta-percha, with motifs such as weeping willows, urns, or skulls, symbolizing themes of sorrow, remembrance, and mortality. Hairwork, wherein locks of a loved one's hair were intricately woven into jewelry, was another common practice, serving as a tangible connection to the departed. Victorian mourning jewelry not only provided a tangible link to the deceased but also allowed individuals to publicly display their mourning status and devotion, offering a unique blend of fashion and sentimentality that continues to fascinate collectors and historians to this day.

Thank You DAR!

 

Volunteers from several Daughters of the American Revolution (DAR) Chapters came to the cemetery to learn the proper technique and products to use for cleaning grave.

markers. Members of the Grave Marker Preservation Committee demonstrated proper methodology. They then put their new knowledge to work by cleaning markers in Rosedale Cemetery. We thank all of those who helped with this project.

 

Rosedale Scavenger Hunt

Photo by Sterling Foster

Rosedale is our cemetery that borders the north side of our historic block, and faces Jefferson.  Some famous burials in Rosedale are:

Noah Broadway, a lawman and Politician

Rose Gregory, a famous Phoenix madam

However, there are also many burials there, some typical and some tragic. 

Below, you will see several clues to Rosedale.  

The answers can be found on Find a Grave.  Our volunteers have placed all of our interred on this platform.  However, we do hope you will join us in Person soon.  

Post Your Answers in the Reply Section.  Good Luck!

Find A Grave - Millions of Cemetery Records

1.  Was born in 1877, and was a railroad fireman.  Died in a tragic accident.

2.  Died in 1902, and was a native of Japan.  Involved in a Shooting Accident.

3.  Son of Pawnee Chief Rush Roberts, and died in 1910.

4.  Sibling infants who died in 1901 and 1902, and whose grandfather of Chinese descent, took his wife's last name.  

5.  Was a comedian, and born in 1868.  His grave marker has a dove and an olive branch.

The Mourning Veil

Picture by Val

Another significant piece of mourning clothing in the Victorian era was the "mourning veil." These veils were an integral part of a widow's attire and played a crucial role in concealing her face from the public eye. Made from fine materials like silk crepe or crape (a specially crinkled fabric), mourning veils were typically long and flowed elegantly down from the widow's head, effectively shrouding her features in a delicate, semi-translucent black fabric. The length and opacity of the veil often indicated the widow's stage of mourning, with longer, heavier veils worn during the initial period of intense grief and gradually transitioning to shorter, less opaque ones as mourning progressed. These veils were not only a symbol of sorrow but also provided a shield of privacy for grieving individuals during a time when mourning was a highly visible and socially prescribed process.

The Widow's Cap

Picture by Val

One particularly striking type of mourning clothing from the Victorian era was the "widow's cap." This somber accessory was worn by grieving women and symbolized their widowhood. The widow's cap was a delicate and often lace-adorned headpiece that covered the hair entirely, concealing it from view. Its purpose was to signify the woman's loss and her withdrawal from society. These caps came in various styles and sizes, with some being more modest and plain, while others were more ornate, showcasing the skill of the seamstress. The widow's cap was a powerful visual symbol of mourning, and it was worn alongside the customary black attire, embodying the strict mourning etiquette and social expectations of the time. It serves as a poignant reminder of the complex rituals and customs surrounding grief and loss in the Victorian era.

I.O.O.F Cemetery Scavenger Hunt

Photo by Sterling Foster

the I.O.O.F. Cemetery was created after the independent order of odd fellows purchased a piece of land to bury their dead, as well as others.  

Lindley Orme, a sheriff from one of our lawmen posts, is buried in the I.O.O.F. Cemetery.  

Below, you will see several clues to the I.O.O.F.  

The answers can be found on Find a Grave.  Our volunteers have placed all of our interred on this platform.  However, we do hope you will join us in Person soon.  

Post Your Answers in the Reply Section.  Good Luck!

Find A Grave - Millions of Cemetery Records

1.  What does I.O.O.F stand for?

2.  Murdered on his way to Florence in 1873.  Grave marker is a replica.  

3.  Born in 1876.  Father made coffins.  Buried with his mother.

4.  Owned the Phoenix Illuminating Gas and Electric Company.  Born in 1847.

5.  Stabbed by a knife in 1879.  Was originally buried in the 1st City Cemetery.  

Mourning Clothing

 

Val Wilson, Digital Art

During the Victorian era, mourning attire played a significant role in society, reflecting the period's intricate rituals surrounding death and bereavement. Mourning clothing, particularly for women, was characterized by its somber and austere appearance. In the initial stages of mourning, known as "deep mourning," women wore garments made of dull black crepe, devoid of any ornamentation or shine. As the mourning period progressed, they transitioned to "second mourning," where they could introduce slight embellishments and fabrics with a softer texture, like silk. Finally, in "half-mourning," muted colors like grey and lavender were permissible. The strict adherence to these mourning stages was not merely a fashion statement but symbolized the depth of one's grief and respect for the deceased. It also served as a visual cue for society, indicating the mourner's emotional state and the appropriateness of certain social interactions. The elaborate mourning rituals and attire of the Victorian era underscored the era's complex attitudes towards death, grief, and societal expectations.